
How did you come up with the rolling long lens? The “Frangle.”
I wanted to try to be innovative, and I also wanted to have some sort of cinematic shots, like the dolly shots in movies. After a few useless tries, sitting on my board, standing behind a fence, and creating some motion with my body and board, I figured out that a skateboard could be a perfect dolly system, without the need of anything else, except smooth ground! I started to practice on certain sessions when the conditions were gathered. But when it came to film like this for real hammers, I remember Koston telling me “you are not going to film my trick like that aren’t you?” He was scared. But I knew what I was doing, and reassured him that I praticed enough, to be in control the whole time. I knew this was a game changer. The result was epic and new.
Take a trip down memory lane here.
