
With everyone on Instagram saying “Transworld’s dead,” we were like, “Technically we’re not.” Our sales guy said it was like being a ghost at our own funeral and watching everybody pay tribute.
Transworld’s audience is the biggest it’s ever been. We have over four million people who we reach on a monthly basis through Facebook, Instagram, Twitter, YouTube, all that. We have budgets to make stuff this year, so there’s still a great opportunity to do cool stuff and get it out to a large audience.
People like to romanticize things, but were the majority of people buying the actual magazine? I doubt it. Did they have subscriptions? I doubt it. I accept that Instagram is where a lot of kids see stuff, and I want them to see it.
With recent noteworthy projects like its Daewon Song documentary, we’re definitely interested in seeing where Transworld goes in its all-digital format. Head over to Vice to read a thorough examination of its print era.
