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Pontus Alv Explores the Value of Scarcity in Latest Interview



Pontus Alv has released several interviews recently to coincide with the launch of Last Resort AB. His latest with Monster Children may be his most insightful yet. He addresses the elephant in the room with regards to the major dilemma of the Information Age: how does anything have value when we’re constantly bombarded with more of it everyday?

So, what’s next?

The new value in the world today is mystique. Not knowing, not sharing, not being out there. The Dane Brady example – you go off social media and it’s like you’re dead. What happened to this guy? He doesn’t exist! People ask me several times a week if he is alive. That’s the thing today: limiting information. The information you get should be high quality.

And it’s that restraint again.

Look at how many skate clips are out there every day, it’s just fucking killing our whole culture. It’s too big, too many videos, too many things. It’s not healthy; we’re flooded with information. That’s why I wait to put out something until it means something. When I grew up there were three or four years between videos. It’s not interesting to watch a video every year because nothing has changed. Guy Mariano was a little kid in Video Days, then you saw little things here and there and the next time you saw a full part from him was in Mouse. Holy shit! That makes sense to me, because you see progress. He grew up, he became taller, he changed his style. He became mature. It’s a little bit like how you see with Oski and those guys. He was a little kid, and you follow his progress over the company’s history.

Your stuff, the Atlantic Drift series, the John Wilson clip that came out recently. We’re all waiting for these things, and everyone can feel that they’re a level above.

Yeah, but why are you waiting for a new Polar video? Maybe it’s because you haven’t seen anything of it for a while. How can you miss something if you have it on tap? If I put out Polar in Paris and Polar in New York, Summer days in Copenhagen with the Polar team three times a year, you would not be excited to see anything from us. The guys are putting stuff out on Instagram and little snippets here and there, but you’re waiting for the full show.

So much time and money that goes into every video. To get those epic clips and those epic sessions, that magic only happens sometimes. If you go on a trip, maybe you only use three clips from that trip, if you’re lucky. You wait for those magic moments, because that’s what you’re trying to collect. You just don’t know when they’re going to happen. You just have to keep going out together skating, collecting those special moments. And in the end, you present them together and you get that epic experience and it’s worth all that energy and time. My problem is: where do you put it out?

That’s the negative side of the digital format. Everyone can put something out there and even if it’s really good, like that Johnny clip or that Fucking Awesome promo, it just comes and you don’t have the same respect because back in the day you went to the skate shop and you had to pay 20 bucks for it. You held it in your hand and you put it in a machine, and you played it over and over again. It’s a different feeling.

Every week there’s another sick thing to click on, then it’s just gone. Years and years of hard work, thousands of hours. And it’s just like, yeah, that was sick. Some stuff you go back and watch again, but where is it sitting? Where does all this magic sit? On a server somewhere.

Read the entire interview here.

Image Via Pedro Ramundo


‘Good Work’ Episode Features Lisa Whitaker and Meow Skateboards



Skater Lisa Whitaker narrated how she started Meow Skateboards in this episode of “Good Work”.

She also related how she got introduced to skateboarding and how she founded Girls Skate Network in 2003.

Whitaker started her skateboard company in 2012. Now, Meow has more than a dozen talents including Vanessa Torres, Mariah Duran and Kristin Ebeling.

“Lisa has always been the catalyst for women skateboarding”, says Torres who was one of the first skaters to join Meow’s roster.

Produced by Red Bull, the Good Work series features skater-owned and operated businesses.

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Monster Energy’s Aspire-Inspire Episode Features Mami Tezuka



Get to know more about Mami Tezuka in this episode of Aspire-Inspire by Monster Energy.

Surrounded by skaters growing up, Mami showed interest in skateboarding at around the age of three.

She started participating in competitions abroad in 2017. In 2021, she won silver in the X Games Women’s Skateboarding part. She landed third place in X Games Chiba 2022.

Fellow Monster Energy rider and friend Lizzie Armanto describes Mami as easy-going, fun to be around, and inspiring. “When I’m around her, I want to push myself better,”

Tezuka admits that she enjoys filming video parts more enjoyable than participating in contests.

“Competition is kind of stressful for me”, Mami said. But added that she does enjoy seeing everyone at contests.

“Filming part is more fun for me…it doesn’t to be hard, tricky trick, but you can see the style and progress of the skating”, explained Mami.

I want to inspire girl skaters and young people. Do what you love and then don’t be afraid to be yourself.

Mami tezuka

Aspire-Inspire is a mini-documentary series by Monster Energy. Previous episodes featured Aurelien Giraud, Kelvin Hoefler, Rune Glifberg, Ayumu Hirano, Nyjah Huston, and Matt Berger.

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The Nine Club Features Elliot Sloan



Elliot Sloan narrated how he injured his neck while doing a 900 and his other worst slams on the ramp in this episode of The Nine Club podcast.

He also talked about getting into vert and then mega ramp, building his own vert and mini mega ramp in his own backyard, and hosting the X Games in his backyard among other things in the two-hour podcast.

Sloan is a four-time X Games Big Air gold medalist. In the recent X Games held in his backyard, he landed second place in the debut of the Mega Ramp category and first in the Skateboard Vert Best Trick.

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